Philosophical and psychological look at art – its meanings, its uses…excerpts:
“Like other tools, art has the power to extend our capacities beyond those that nature has originally endowed us with. Art compensates us for certain inborn weaknesses, in this case of the mind rather than the body, weaknesses that we can refer to as psychological frailties.”
“Few of us are entirely well balanced. Our psychological histories, relationships and working routines mean that our emotions can incline grievously in one direction or another. We may, for example, have a tendency to be too complacent, or too insecure; too trusting, or too suspicious; too serious, or too light-hearted. Art can put us in touch with concentrated doses of our missing dispositions, and thereby restore a measure of equilibrium to our listing inner selves.”
“The task for artists, therefore, is to find new ways of prying open our eyes to tiresomely familiar, but critically important, ideas about how to lead a balanced and good life.”
Despite our best efforts at self-awareness, we’re all too often partial or complete mysteries to ourselves. Art, de Botton and Armstrong suggest, can help shed light on those least explored nooks of our psyche and make palpable the hunches of intuition we can only sense but not articulate:
“We are not transparent to ourselves. We have intuitions, suspicions, hunches, vague musings, and strangely mixed emotions, all of which resist simple definition. We have moods, but we don’t really know them. Then, from time to time, we encounter works of art that seem to latch on to something we have felt but never recognized clearly before. Alexander Pope identified a central function of poetry as taking thoughts we experience half-formed and giving them clear expression: “what was often thought, but ne’er so well expressed.” In other words, a fugitive and elusive part of our own thinking, our own experience, is taken up, edited, and returned to us better than it was before, so that we feel, at last, that we know ourselves more clearly.”
More than that, they argue, the self-knowledge art bequeaths gives us a language for communicating that to others — something that explains why we are so particular about the kinds of art with which we surround ourselves publicly, a sort of self-packaging we all practice as much on the walls of our homes as we do on our Facebook walls and art Tumblrs. While the cynic might interpret this as mere showing off, however, de Botton and Armstrong peel away this superficial interpretation to reveal the deeper psychological motive — our desire to communicate to others the subtleties of who we are and what we believe in a way that words might never fully capture.
by Maria Popova